Monday, May 20, 2013

The Art of Sustainability



“We cannot hope to create a sustainable culture with any but sustainable souls.”
                                                                                         Derek Jensen


On a glorious afternoon that felt like spring had finally come to Maine, over one hundred Unity College students received their diplomas, officially marking an important milestone in their lives.  Unity, a small liberal arts college nestled in the heart of the Pine Tree State, focuses on educating the next generation of sustainability leaders through a science-based curriculum. 


Newly Minted 2013 Unity Graduates

In a time when many young people are unsure of their direction, especially in this uncertain economy, the graduates I spoke with proudly shared their future plans; cheetah habitat management in Africa, forestry research at the Smithsonian Institute in Panama, educational programs at the Haifa Zoo in Israel and even doctoral research on Guinea fowl as a natural solution to the management of the Lyme tick!  As I congratulated these students along with my fellow Trustees, I was impressed by their desire to bring ideas and solutions to organic agriculture, wildlife management, marine biology, climatology and other careers in the new economy.


Unity's Laboratory, The State of Maine!

Although Unity’s focus is science-based, it differentiates itself by recognizing that the future of sustainability depends on a clearer understanding of sustainability's dimensionality and the broader world view each one of us must embrace.  To experience this wider perspective, students learn not only the science of sustainability but how to express it through art and communication.


Sustainable Agriculture Major and Photographer, Quinn Boyle

An example of this is Art Professor Ben Potter's popular class titled, ”Re-Use,” exploring both the conceptual and practical aspects of re-purposing existing objects and materials.  One recent assignment challenged the students to make new artwork derived from a collection of 19th century photographic glass plates donated to the college.  The students were asked to provide “some element of intervention, invention, collage, handwork, and/or interpretation... Consider the possibilities inherent in the contrast and similarities to contemporary life that the images present.”


Original 19th Century Glass Plates

Quinn Boyle, a Sustainable Agriculture major at Unity, scanned a glass plate image as a base layer, adding his own photographs of moss, cement and rain marks on glass, and then, included one of his own photographic portraits as the final layer.  The result provides a mysterious depth, as if found in a dream or memory.


Quinn Boyle
"Kendra" 40"x30"

Jen Lemieux, created a hand-drawn pattern of dots to surround the couple in the original image, referencing traditional quilt patterns and the demarcation of time.


Jen Lemieux
"Untitled" 7"x10"

Ethan LaPlante, juxtaposed images of a modern vehicle alongside the horse drawn carriage in the original plate, creating an interesting anachronism.


Ethan LaPlante
"Untitled" 30"x40"


Through this diverse, liberal arts education, the Unity graduates seemed prepared to not only find tangible solutions to the environmental challenges we face, but to change the way society sees and thinks about environmental issues.  And isn't that the greatest challenge of all? 

As I left the campus that day, the quote by anthropologist Margaret Mead came to mind and filled my heart with hope;

A small group of thoughtful people could change the world. Indeed, it’s the only thing that ever has.”

Sunday, April 7, 2013

Directing Sunbeams


“The keeping of bees is like the direction of sunbeams.”

                                                              Henry David Thoreau


On a beautiful spring Saturday, a flatbed truck rolled into the Delaware Valley with over 7 million honeybees.  Jim Bobb, Proprietor of Worcester Honey Farms, was at the wheel, exhausted from his all-night journey from Baxley, Georgia.

Back at his farm, dozens of people had already assembled, enjoying the warm sunshine, chatting with the easy affability of those who enjoy a shared passion.  Like junkies on a street corner, we were all waiting for just one thing - our packages.

A package is a small wooden box containing three pounds, or approximately 12,000 bees, enough to kick-start a hive.  After a package is installed, the queen, together with a few of her attendants, will hang protected in her own little box for three days, until the worker bees can get used to her pheromones.  Once the workers accept her scent, she will be “released” from her box by the beekeeper and become the new De Facto Queen of the Hive!

Picking out a lively bunch!

The bees being brought to the farm were Italians, a race known for their gentleness, industriousness and abundant honey production.  In addition, Northern Italy shares the 40th parallel with the Mid-Atlantic, making this race of bees perfectly suited to our regional weather conditions.  

As one of Jim’s students, I had volunteered to help distribute packages to the beekeepers arriving throughout the afternoon and had a chance to ask people why they kept bees. Interestingly, many of them shared my own personal reasons.  I have often been asked if I do it for the honey? Or wax for my encaustic paintings?  Although those things will be very nice, the truth is that I do it for the enjoyment and stewardship of the bees themselves.

A fellow hobbyist

In 2011, I conducted a large market research study on consumer attitudes about organic food. Through this research, I learned about Colony Collapse Disorder (CCD), a phenomenon where hundreds of millions of honeybees have mysteriously disappeared, leaving their brood, honey and even their queen behind.  National Agriculture Statistics report that honey-producing hives around the world have declined by 50% since 1980 and that this phenomenon has reached epidemic proportions since 2008.

The famous Albert Einstein quote came to mind, “If the bee disappeared off the face of the earth, man would only have four years left to live.” A range of explantations for this phenomenon include pesticides, genetic modification, commercial beekeeping practices and even radiation from cell phones preventing bee’s navigation.  No one really knows for sure.

What we do know is that private citizens, with even one or two hives, can greatly support the bee’s recovery.  This idea has gained momentum in recent years, with thousands of hobbyists starting hives, from suburban gardens to urban rooftops.  One retired gentleman exclaimed as I handed him his package, “It’s so little to give back when you think how much these little critters give to us!”

Beekeepers heading home to install their hives
My hive goes Live

So, with our packages installed, now we wait. Will the weather cooperate, allowing the worker bees to get a head start on the season’s forage? Will they succumb to disease or other perils of the environment? Last year was my first attempt at beekeeping and my hive was lost to Varroa mites, a virus considered the world’s most destructive honeybee killer. I’m hoping for better luck this year.

I think Thoreau had it right, beekeeping is like directing sunbeams. We give them all the support we can, but in nature, as in so many things in life, it is out of our control. The author Sue Monk Kidd, who wrote The Secret Life of Bees, also gave some good advice,  “Above all, send the bees love. Every little thing wants to be loved.”

As I write this post, I’m heading out to give my bees a little bit of love.  Stay tuned.

My little hive

“I like pulling on a baggy bee suit, forgetting myself and getting as close to the bees' lives as they will let me, remembering in the process that there is more to life than the merely human.”

                                                Sue Hubbell, A Book of Bees